Carlos Salgueiro, producing under the moniker Dead End, has come from deep hip-hop roots to passionately embrace what has been labelled as the ‘future sound’ of Bass music.

Tasteful pallets of abstract, ethereal structures, raw powerful bass movements and artfully composed, but heavy as fuck, drums are just some of the ingredients.

A few of the more open-minded Bass scenes including Bristol, Denver and Shenzhen, to name a few, have been embracing this crunchy, ‘Wonkay’ universe of Halftime for years now.

“A bent frequency is a good frequency”